Second sweater done

I finally finished my second Elizabeth Zimmerman yoke sweater. This one is a fair bit different from the first one — I reused DK weight half wool, half alpaca yarn from a sweater I found unwearable, and I reduced the number of stitches from what my measurements indicated (from 188 to 180) for a tighter sweater. I’m glad I did. I bought some coordinating red and blue yarn (half wool, half acrylic with a touch of nylon) to make stripes after the really nice woman at the yarn store showed me a picture of a Kate Davies Keith Moon design.

sweater

I like it! I especially love the broad red stripe around my shoulders. I think this is as far as I’ll go for designs in a yoke sweater. I’m pretty sure I’m too lazy to try the standard kind of Scando-designs and I tend to prefer simplicity. This doesn’t mean I haven’t loved some of the designs my fellow bloggers have produced with this patternless design.

I find there’s a bit of wave in the fabric caused by the “brutal” first row of decreases. It would be nice if that waviness was gone. Does anybody know anything about that? Have people who made stranded designs had the same thing?

When I tried this sweater on after it was done, I considered removing the top couple of inches to eliminate the final row of decreases (in this case I knit two together at every 4th and 5th stitch). That would give me more of a boat neck look. I don’t think I will because I’m fine with it the way it is, but I think if and when I make another of these, I will consider that alteration in advance.

I wore this sweater out and about after taking this picture late this afternoon, and it was warm as toast. I think that’s a thing with alpaca. Another thing with alpaca is that it’s heavy. The wonderful woman at the yarn store, Sarah, told me it can’t hold its weight so it tends to stretch longer and longer. It was something I had noticed and hated about the previous sweater I had knit with this yarn. Wool from sheep looks springy, but hair from alpacas hangs heavy, like, well, hair. I don’t think I will knit with it again, but I do think it was a good idea to make a close-fitting sweater with this yarn.

If you look closely you can maybe just see why I originally chose this colour. It’s exactly the colour of my eyes. Bat, bat.

So now …. what to do about this?

I have an unfinished V-neck, raglan sleeved sweater knitted with this yarn that my mother sent me after she was given it by a neighbour in her retirement residence who could no longer knit. My mother can’t knit anymore either due to shoulder issues so she sent it along to me. It came on a cone. I don’t know what it is, or what its preferred gauge is. I knit the sweater on large needles for a loose look, but when I could finally try it on, I got lost in it (it turns out the number of rows per inch is as important as the number of stitches per inch — who knew?) I suspect the correct gauge is the second from the top, which is knit with 4 mm needles. The picture on the left shows that the yarn is braided rather than twisted. If anybody knows anything about that, please share!

I love the colour and would like to knit a v-neck raglan tunic length sweater, possibly with a bit of flare. There’s enough yarn I’m sure.

Advertisements

Simple yoke sweater done

I’ve been knitting along with kate of fabrickated.com and a bunch of other women for a few weeks now. We’ve been knitting up from the bottom using an Elizabeth Zimmerman non-pattern. How I love the non-pattern! No more squinting at three dense pages of instructions for what to do on each bloody row of knitting! No more confinement to size 150/175/200!

I measured my bust, and then the approximate bust line of two old sweaters and settled on a number. I multiplied the number of stitches per inch with that number and cast on accordingly. All other measurements are percentages of this number. If you can figure out 20 per cent of something, you can knit this sweater. Well you can always have recourse to youtube, as I did for videos on grafting and picking up cast-on stitches. Oh, and for using a circular needle for only a few stitches in a technique called “magic loop”.

Here’s the finished product.

IMG_1418IMG_1419IMG_1420IMG_1422

We used Zimmerman’s book “Knitting without Tears”, which I took out of my local library so I could supplement Kate’s instructions and get the broader picture. The book was published in the 1970’s I believe, and the colour-worked yoke sweaters are a bit old-fashioned, I think. But I did a bit of research on Ravelry and saw people are updating it in a variety of ways — lowering the neckline and shaping the waist, for example.

My variations included shunning all ribbed knit cuffs, bottom and neckline. I have to confess that at the moment I loathe all ribbed knit “endings”. I substituted garter stitch, which I’m happy with. On the wrists I used needles a size smaller for the border, and I like that. I lowered the neck a bit, and kept it a bit wider by reducing a stitch every fifth stitch rather than every second. Zimmerman deals with the need to raise the back by knitting a few extra rows of the back neck border (back and forth) before finishing the border in the round. I chose instead to knit a few extra rows of stocking stitch at the back. Makes more sense to me.

I have no experience with colour work and wanted to knit this up quickly so didn’t bother. Also, I’m not sure I’m a fan of that Norwegian ski sweater look. I must say I have been admiring some of Kate’s sweaters. And, while knitting, I began watching a Netflix series that I’m going to tell you about because it’s pertinent. Have any of you watched “The Killing”? It’s American, but inspired by a Danish detective series. It’s filmed in Seattle, and only on rainy days, as far as I could tell, so it has an appropriately “noir” aesthetic. The lead detective is a woman who always wears her long hair tied back, and whose uniform consists of sneakers, jeans and wooly sweaters. For the first five episodes she wore the same colour-worked yoked sweater, just like the Zimmerman yoked sweaters. So I got a good, long chance to see these sweaters in action. It was great. And for anyone with a Netflix account, I highly recommend the series. It has great themes pertaining to what it is to be human. If you watch it, study the sweaters 🙂

I used about one and a half hanks of Lion Brand fisherman knit yarn, undyed. I bought 3 hanks a couple of years ago when I knit my first sweater after taking two basic knitting courses. So I guess I could make an identical second sweater? That might be a bit of over-kill. However, since the first sweater I knit was unwearable, I have been harvesting its yarn for a second Zimmerman yoked sweater.

20170813_203345

I’m currently swatching, but I think I’m going to have to wet the swatch to get the curl out so I can get an accurate gauge. I may be knitting a bit looser than I did a few years ago.

As I told people on IG, I ran into trouble with the underarm grafting on this sweater, and took myself off to Gina Brown’s Yarns and Wool store for help. While there I bought a hank of brilliant crimson yarn to go with this new sweater. Unfortunately it turned out I brought along a remnant of the wrong yarn. Not this sweater yarn but a brighter version that I had used to make a hat, which I subsequently gave away. I don’t think the crimson is the best match to this subdued aqua, so I’m going back to the store to return it and look for something better.

Does anyone have an opinion as to whether I need the same yarn for some colourwork? If so, I’ll get just one colour because this half-alpaca, half-wool Beroco yarn only comes in 100 gram hanks, and they’re not cheap. But if I could use something else of the same gauge, something that comes in 50 gram balls, I could maybe use two other colours.

While I was at the store, the lovely saleswoman, whose name was Sarah (I think) showed me a picture of a Kate Davies yoked sweater. Here’s a picture of it: the keith-moon

I’m going to take inspiration from it. I was thinking of a stripe, and this design shows me how beautiful one or two stripes can be.